{"title":"Vintage Textile Wall Panels | Mid Century Modern | RetroTime","description":"\u003cp\u003e\u003cem\u003eOriginal vintage British textile wall panels from the mid century modern era. Screen-printed designs by celebrated makers including Hull Traders and Heal's, featuring the bold geometric patterns and warm colour palettes that defined 1960s British interior design. Each panel is a genuine collectable piece. Free tracked UK delivery.\u003c\/em\u003e\u003c\/p\u003e","products":[{"product_id":"peter-mcculloch-project-1968-textile-art-mid-century-modern","title":"Peter McCulloch Project 1968 Textile Art – Mid Century Modern Framed Wall Art","description":"\u003cp\u003ePeter McCulloch — Project, 1968. Original screen-printed cotton furnishing fabric for Heal's Fabrics Ltd, London. This exact design is held in the permanent collections of the Victoria and Albert Museum, London, and the Art Institute of Chicago — where it sits alongside works by Lucienne Day, Eduardo Paolozzi, John Piper, and Howard Hodgkin. Professionally stretched over a new wooden frame. 102 cm × 69 cm. Excellent vintage condition.\u003c\/p\u003e\n\u003ch3\u003eA design in two world-class museum collections\u003c\/h3\u003e\n\u003cp\u003ePeter McCulloch was born in 1933 and studied at Glasgow School of Art before teaching at the Falmouth School of Art in Cornwall and establishing himself as one of the most distinctive British textile designers of the 1960s. His work for Heal's incorporated contrasting colours in patterns that evoked the language of printed circuitry — the circuitboard, the technical diagram, the architectural plan — translated into fabric with a graphic confidence that was entirely of its moment and has only grown in cultural resonance since. Project is one of his finest designs for the house: bold, structured, rhythmically complex, and unmistakably 1968.\u003c\/p\u003e\n\u003ch3\u003eHeal's and the golden era of British textile design\u003c\/h3\u003e\n\u003cp\u003eHeal's commissioned an extraordinary roster of designers during the 1960s — Lucienne Day, Barbara Brown, Shirley Craven, Eddie Squires — producing screen-printed cotton furnishing fabrics that are now among the most collected pieces of British post-war design. Original Heal's fabrics from this period are increasingly scarce, and examples in display-quality condition, professionally framed for wall presentation, are rarer still.\u003c\/p\u003e\n\u003cp\u003eThis piece has been handcrafted using rare, original vintage Heal's fabric — Woven and Printed in England — stretched professionally over a newly constructed wooden frame, transforming a collectible furnishing fabric into a gallery-quality textile artwork.\u003c\/p\u003e\n\u003ch3\u003eThe design\u003c\/h3\u003e\n\u003cp\u003eMcCulloch's bold composition uses rhythmic geometry and refined colour to create a surface that rewards sustained attention — the pattern builds and resolves across the picture plane with the confidence of a designer who understood both the textile tradition and the visual language of the decade. The colours remain beautifully rich and well-preserved, a testament to the quality of Heal's screen-printing at its peak.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eProject, 1968\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDesigner\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePeter McCulloch (b.1933, Glasgow School of Art)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProducer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHeal's Fabrics Ltd, London\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOriginal screen-printed cotton — Woven and Printed in England\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrame\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eProfessionally stretched over new wooden frame\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e102 cm × 69 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollections\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVictoria and Albert Museum, London; Art Institute of Chicago\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMid century modern, British modernist, textile art\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eExcellent vintage condition. Colours remain rich and vibrant. As with all genuine vintage textiles, subtle age-related characteristics may be present — consistent with a piece of this age and entirely in keeping with its authentic vintage character.\u003c\/p\u003e\n\u003cp\u003eA genuine piece of British design history — owned by the world's great museums and now available for your wall.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eFree tracked delivery across the UK. \u003c\/p\u003e","brand":"RetroTime","offers":[{"title":"Default Title","offer_id":53283875946835,"sku":null,"price":190.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1043\/8488\/9171\/files\/Peter-McCulloch-Project-1968-Textile-Art-Mid-Century-Modern-Framed-Wall-Art.jpg?v=1774965809"},{"product_id":"roger-limbrick-palace-textile-wall-art-op-art-mid-century-mo","title":"Roger Limbrick Palace Textile Wall Art – Op Art Mid Century Modern Hull Traders","description":"\u003cp\u003eRoger Limbrick — Palace, 1966. Original hand screen-printed furnishing fabric for Hull Traders Ltd. This exact design is held in the permanent collection of the Victoria and Albert Museum, London — one of 123 Hull Traders objects in the V\u0026amp;A. Roger Limbrick himself is represented in the collection of the Museum of Modern Art, New York. Professionally stretched over a new wooden frame. 101 cm × 91 cm. Excellent vintage condition.\u003c\/p\u003e\n\u003ch3\u003eIn the V\u0026amp;A. In MoMA. Featured in the 1966 Design Journal.\u003c\/h3\u003e\n\u003cp\u003ePalace was photographed in the 1966 Design Journal in an article entitled \"New Thinking\" — alongside Bernard Holdaway's tomotom cardboard furniture, one of the decade's defining Pop design objects. That company — alongside Holdaway, Paolozzi, Ivon Hitchens — tells you everything about where Hull Traders and Roger Limbrick sat in the culture of 1960s British design: at the absolute centre of it.\u003c\/p\u003e\n\u003ch3\u003eRoger Limbrick and Hull Traders\u003c\/h3\u003e\n\u003cp\u003eRoger Limbrick (b.1933) studied at the Royal College of Art in London — Britain's most prestigious design school — alongside Shirley Craven, John Drummond, Althea McNish, and Doreen Dyall. Hull Traders' hand screen-printed furnishing fabrics were their speciality in the 1960s, produced under art director Shirley Craven, who selected designs from a remarkable roster that included sculptor Eduardo Paolozzi, artist Ivon Hitchens, and the collaborative Hammer Prints (photographer Nigel Henderson and Eduardo Paolozzi). Limbrick was one of Craven's most trusted and frequently commissioned designers — his geometric compositions appearing across multiple Hull Traders collections throughout the decade.\u003c\/p\u003e\n\u003ch3\u003ePalace\u003c\/h3\u003e\n\u003cp\u003eDesigned in 1966 at the height of the Op Art movement, Palace deploys bold geometric shapes and rhythmic colour contrasts in heavy cotton satin, printed in four colourways — the scale and confidence of the composition demanding a large wall to do it justice. The dynamic visual effect shifts with light and perspective in the way only the finest Op Art textile designs do — this is not a static print but a surface that behaves differently at different times of day.\u003c\/p\u003e\n\u003cp\u003eThis piece has been handcrafted using rare, original vintage Hull Traders fabric, professionally stretched over a newly constructed wooden frame — transforming a collectible furnishing fabric into a gallery-quality textile artwork. The colours remain deep, rich, and wonderfully vibrant, a testament to the quality of mid-century hand screen-printing.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePalace, 1966\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDesigner\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRoger Limbrick — Royal College of Art; represented in MoMA collection\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProducer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHull Traders Ltd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOriginal hand screen-printed heavy cotton satin — four colourways\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrame\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eProfessionally stretched over new wooden frame\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e101 cm × 91 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollections\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVictoria and Albert Museum, London; Museum of Modern Art, New York\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOp Art, mid century modern, British modernist textile art\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eExcellent vintage condition. Colours remain deep, rich, and vibrant. As with all genuine vintage textiles, minor age-related characteristics may be present — entirely consistent with a piece of this age and adding to its authentic character.\u003c\/p\u003e\n\u003cp\u003eA genuine piece of British design at the height of its powers — in the world's great museum collections, and now available for your wall.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eFree tracked delivery across the UK. \u003c\/p\u003e","brand":"RetroTime","offers":[{"title":"Default Title","offer_id":53283876110675,"sku":null,"price":225.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1043\/8488\/9171\/files\/Roger-Limbrick-Palace-Textile-Wall-Art-Op-Art-Mid-Century-Modern-Hull-Traders.jpg?v=1774965791"},{"product_id":"lucienne-day-chevron-1968-heal-fabrics-textile-wall-art-mid-century-modern-framed-panel","title":"Lucienne Day Chevron 1968 Heal Fabrics Textile Wall Art – Mid Century Modern Framed Panel","description":"\u003cp\u003eLucienne Day — Chevron, 1968. Original screen-printed furnishing fabric for Heal Fabrics Ltd, London. Selvedge reads: \"Heals — Chevron by Lucienne Day.\" This design won the Design Centre Award from the Council of Industrial Design in 1968 — one of only three such awards Lucienne Day received across her entire career. It is held in the permanent collection of the Victoria and Albert Museum, London. Professionally stretched over a new wooden frame. 113 cm × 102 cm. Excellent vintage condition.\u003c\/p\u003e\n\n\u003ch3\u003eWon the Design Centre Award. In the V\u0026amp;A. Designed for grand spaces.\u003c\/h3\u003e\n\n\u003cp\u003eLucienne Day conceived Chevron with a specific ambition: \"I set out to create a large architectural design with a different direction from the small horizontal or vertical repeat, hence the bold diagonal bars. I visualise it being used not only in large public settings but also in grand private settings.\" At 113 × 102 cm, this piece fulfils exactly that vision.\u003c\/p\u003e\n\n\u003ch3\u003eLucienne Day and Heal Fabrics\u003c\/h3\u003e\n\n\u003cp\u003eLucienne Day (1917–2010) studied printed textiles at the Royal College of Art, London, and went on to become Britain's most distinguished textile designer of the twentieth century. Her 25-year partnership with Heal Fabrics — from Fluellin in 1950 to her final commission in 1974 — produced more than seventy designs that defined the look of post-war British interiors. She was made a Royal Designer for Industry in 1962, was the first woman to serve as Master of the Faculty of Royal Designers for Industry (1987–89), and was awarded the OBE in 2004. Her work is held in the collections of the V\u0026amp;A, the Whitworth, and museums worldwide.\u003c\/p\u003e\n\n\u003ch3\u003eChevron\u003c\/h3\u003e\n\n\u003cp\u003eDesigned in 1968 at the height of the Op Art movement, Chevron is one of Day's most architecturally ambitious furnishing fabrics — a bold composition of diagonal bars in teal, olive green, lime, blue-grey and white, printed across a wide repeat that demands a large wall. The composition is split: broad, bold teal and white diagonals on one half; a richer, more complex sequence of olive, lime, grey and blue on the other. The effect is dynamic, restless, and wholly of its moment — yet the colours have a depth and sophistication that feels entirely at home in a contemporary interior.\u003c\/p\u003e\n\n\u003cp\u003eThis piece has been handcrafted using rare, original vintage Heal Fabrics cloth, professionally stretched over a newly constructed wooden frame — transforming a collectible furnishing fabric into a gallery-quality textile artwork. The colours remain rich, vibrant, and beautifully preserved.\u003c\/p\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eChevron, 1968\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDesigner\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLucienne Day OBE, RDI — Royal College of Art\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProducer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHeal Fabrics Ltd, London\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSelvedge\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\"Heals — Chevron by Lucienne Day\" (confirmed)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOriginal screen-printed furnishing fabric\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrame\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eProfessionally stretched over new wooden frame\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e113 cm × 102 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAward\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDesign Centre Award, Council of Industrial Design, 1968\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVictoria and Albert Museum, London\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOp Art, mid century modern, British modernist textile art\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eExcellent vintage condition. Colours remain rich and vibrant. As with all genuine vintage textiles, minor age-related characteristics may be present — entirely consistent with a piece of this age and wholly in keeping with its authentic vintage character.\u003c\/p\u003e\n\n\u003cp\u003eBritain's greatest post-war textile designer. An award-winning design. In the V\u0026amp;A collection. And now available for your wall.\u003c\/p\u003e\n\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eFree tracked delivery across the UK.\u003c\/p\u003e","brand":"RetroTime","offers":[{"title":"Default Title","offer_id":53438101422419,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1043\/8488\/9171\/files\/Lucienne-Day-Chevron-1968-Heal-Fabrics-Textile-Wall-Art-Mid-Century-Modern-Framed-Panel.jpg?v=1776454137"},{"product_id":"eine-lepisto-aalto-1977-finlayson-textile-wall-art-scandinavian-mid-century-modern-framed-panel","title":"Eine Lepistö Aalto 1977 Finlayson Textile Wall Art – Scandinavian Mid Century Modern Framed Panel","description":"\u003cp\u003eEine Lepistö — Aalto, 1977. Original screen-printed cotton furnishing fabric for Finlayson, Finland. Aalto — meaning \"wave\" in Finnish — is one of Finlayson's most iconic archive designs, listed alongside Elefantti and Coronna as a defining classic of the Finnish textile canon. This piece is presented in the rare original earth-tone colourway: a rich, layered sequence of burnt orange, amber, rust, dark brown, black and cream — entirely distinct from the blue-on-white colourway still produced today. Professionally stretched over a new wooden frame. 62 cm × 108 cm. Excellent vintage condition.\u003c\/p\u003e\n\n\u003ch3\u003eA Finnish design icon. The rare earth-tone colourway. From the golden era of Scandinavian textile design.\u003c\/h3\u003e\n\n\u003cp\u003eFinlayson was founded in Tampere, Finland in 1820 by the Scottish industrialist James Finlayson, and grew to become one of the largest industrial enterprises in Scandinavia. By the 1960s and 1970s — alongside Marimekko and Tampella — Finlayson defined the distinctive bold, large-scale style of Finnish printed textile design that characterises the era and is so collectable today. In 1951, Finlayson established a dedicated pattern design studio in Forssa, commissioning designers whose work would go on to be recognised as some of the finest of the decade. The archive of those designs — hundreds of thousands of textile samples and original drawings by more than 130 designers — is now held at the Forssa Museum, a testament to the cultural significance of what Finlayson produced.\u003c\/p\u003e\n\n\u003ch3\u003eEine Lepistö\u003c\/h3\u003e\n\n\u003cp\u003eEine Lepistö is one of Finlayson's most celebrated designers, responsible for several of the company's best-loved archive patterns. Aalto, designed in 1977, is her masterwork — a design so enduring that Finlayson continues to produce it nearly fifty years later. Finlayson themselves describe Lepistö's approach as capturing her subject \"in the minimalist and crystallised style typical of the era.\"\u003c\/p\u003e\n\n\u003ch3\u003eAalto\u003c\/h3\u003e\n\n\u003cp\u003eDesigned in 1977 at the height of Scandinavian modernist textile design, Aalto translates the movement of ocean waves into a bold, rhythmic repeat of undulating horizontal bands — simple in concept, extraordinarily effective in practice. The composition fills a wall with calm, confident energy. This example is presented in the original earth-tone colourway — burnt orange, amber, rust, dark brown, near-black and warm cream — a palette that feels entirely of its 1970s moment yet sits with complete ease in a contemporary interior. The blue-on-white colourway remains in production; this warm colourway does not, making original vintage examples in this palette genuinely rare.\u003c\/p\u003e\n\n\u003cp\u003eThis piece has been handcrafted using rare, original vintage Finlayson fabric, professionally stretched over a newly constructed wooden frame — transforming a collectible furnishing fabric into a gallery-quality textile artwork. The colours remain deep, rich, and wonderfully vibrant.\u003c\/p\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAalto, 1977\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDesigner\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eEine Lepistö\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProducer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFinlayson, Tampere, Finland\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOriginal screen-printed cotton\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrame\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eProfessionally stretched over new wooden frame\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e62 cm × 108 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColourway\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOriginal earth-tone — burnt orange, amber, rust, dark brown, black, cream\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eScandinavian modernist, mid century modern, Finnish textile art\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eExcellent vintage condition. Colours remain deep, rich, and vibrant. As with all genuine vintage textiles, minor age-related characteristics may be present — entirely consistent with a piece of this age and adding to its authentic character.\u003c\/p\u003e\n\n\u003cp\u003eA Finnish design icon in its rarest colourway — and now available for your wall.\u003c\/p\u003e\n\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eFree tracked delivery across the UK.\u003c\/p\u003e","brand":"RetroTime","offers":[{"title":"Default Title","offer_id":53438179869011,"sku":null,"price":155.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1043\/8488\/9171\/files\/Eine-Lepisto-Aalto-1977-Finlayson-Textile-Wall-Art-Scandinavian-Mid-Century-Modern-Framed-Panel.jpg?v=1776454178"},{"product_id":"marian-mahler-linear-flowers-1953-david-whitehead-textile-wall-art-mid-century-modern-framed-panel","title":"Marian Mahler Linear Flowers 1953 David Whitehead Textile Wall Art – Mid Century Modern Framed Panel","description":"\u003cp\u003eMarian Mahler — Linear Flowers, c.1953. Original roller-printed rayon furnishing fabric for David Whitehead Ltd, Lancashire. This exact design is held in the permanent collection of the Museum of Modern Art, New York — one of five Marian Mahler works in the MoMA collection. The design is registered with the National Archives under Board of Trade registered design number 434369. Professionally presented in a black gallery frame. 61.5 cm × 142.5 cm. Excellent vintage condition.\u003c\/p\u003e\n\n\u003ch3\u003eIn MoMA. In the National Archives. From the golden generation of post-war British textile design.\u003c\/h3\u003e\n\n\u003cp\u003eMarian Mahler (1908–1983) was born in Vienna to Jewish parents and trained at the Kunstgewerbeschule — the city's celebrated University of Applied Arts — from 1929 to 1932, before further study at the Royal State Academy. She arrived in Britain in 1937 and went on to become one of the most important textile designers of the post-war era, working alongside Lucienne Day and Jacqueline Groag as part of the generation that transformed British domestic interiors in the 1950s. Her work is held in the collections of the Victoria and Albert Museum and the Museum of Modern Art, New York. David Whitehead Ltd, the Lancashire textile manufacturer that commissioned Linear Flowers, was one of the most progressive forces in post-war British design. Their mandate was simple: to make good design affordable to everyone. They were one of the largest contributors of furnishing fabrics to the Festival of Britain in 1951, with twenty designs chosen for display, and became synonymous with the maxim \"cheap need not be cheap and nasty.\" Mahler's designs for David Whitehead were roller-printed in rayon — a deliberate choice that kept costs low and quality high, putting genuinely innovative design within reach of a younger generation furnishing their first homes.\u003c\/p\u003e\n\n\u003ch3\u003eLinear Flowers\u003c\/h3\u003e\n\n\u003cp\u003eDesigned around 1953, Linear Flowers is one of Mahler's most celebrated and immediately recognisable designs — a rhythmic composition of stylised botanical forms: abstract tulip-like cups, delicate stems, hatched seed-heads and linear horizontal registers, roller-printed in black and white on a rich mustard-gold rayon ground. The design is directly contemporary with Lucienne Day's landmark Calyx (1951), and the two share a common visual language — the spidery abstracted forms, the energetic line, the bold ground colour — that defined the look of the most progressive British interiors of the early 1950s. This is not a derivative piece; it is a parallel expression of the same moment, by a designer of equivalent stature, for a manufacturer of equal ambition. At 61.5 × 142.5 cm in its black gallery frame, the piece commands a wall with quiet authority — the tall, narrow format showing the full rhythmic energy of the repeat in a single unbroken sweep.\u003c\/p\u003e\n\n\u003cp\u003eThis piece has been professionally presented using rare, original vintage David Whitehead rayon, mounted and presented in a black gallery frame — transforming a collectible furnishing fabric into a gallery-quality textile artwork. The colours remain wonderfully rich and vibrant.\u003c\/p\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLinear Flowers, c.1953\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDesigner\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMarian Mahler (1908–1983, Kunstgewerbeschule Vienna)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProducer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDavid Whitehead Ltd, Lancashire\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRegistered design\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBoard of Trade no. 434369\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOriginal roller-printed rayon\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePresentation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eProfessional black gallery frame\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e61.5 cm × 142.5 cm (framed)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMuseum of Modern Art, New York\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMid century modern, 1950s British modernist, Contemporary style\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eExcellent vintage condition. Colours remain rich and vibrant. As with all genuine vintage textiles, minor age-related characteristics may be present — entirely consistent with a piece of this age and adding to its authentic character.\u003c\/p\u003e\n\n\u003cp\u003eA piece from the golden generation of post-war British textile design — in MoMA's collection, and now available for your wall.\u003c\/p\u003e\n\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eFree tracked delivery across the UK.\u003c\/p\u003e","brand":"RetroTime","offers":[{"title":"Default Title","offer_id":53796019503443,"sku":null,"price":275.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1043\/8488\/9171\/files\/IMG_8362.jpg?v=1779204536"},{"product_id":"collier-campbell-balcony-stripe-academy-fabrics-textile-wall-art-1980s-painted-stripe-framed-panel","title":"Collier Campbell Balcony Stripe Academy Fabrics Textile Wall Art – 1980s Painted Stripe Framed Panel","description":"\u003cp\u003eSusan Collier \u0026amp; Sarah Campbell — Balcony Stripe. Original screen-printed furnishing fabric for Academy Fabrics. Selvedge reads: \"Academy Fabrics — Balcony Stripe by Collier Campbell.\" A large, exuberant vertical stripe composition in terracotta, teal, pink, blue, sage green, sand and cream — each band animated with hand-painted wavy lines, dashes, dots and serpentine marks that carry the energy of the original brushstroke directly into the printed cloth. Professionally stretched over a new wooden frame. 127 cm × 48 cm. Excellent vintage condition.\u003c\/p\u003e\n\u003ch3\u003eCurrently exhibiting at the Fashion and Textile Museum, London. In the V\u0026amp;A collection. Britain's most celebrated post-war textile design partnership.\u003c\/h3\u003e\n\u003cp\u003eSusan Collier and Sarah Campbell are two of the most significant textile designers of the twentieth century — a partnership that began in the 1960s when Susan walked into Liberty of London with a portfolio of hand-painted designs and left with six of them sold. What followed was fifty years of work that changed the look of British interiors, fashion and design. In 1971 Yves Saint Laurent used Collier Campbell's gypsy-inspired patterns as the inspiration for his first ever ready-to-wear Rive Gauche collection. Bill Gibb incorporated their painted stripe Quickstep into his 1974 summer designs. They were the first women to win the Duke of Edinburgh's Designer Prize, in 1984. The V\u0026amp;A holds 33 works from the Collier Campbell archive. From March to September 2026, the Fashion and Textile Museum in London is staging a major retrospective — Paint! Pattern! Print!: The Textiles of Susan Collier and Sarah Campbell — the most comprehensive exhibition of their work ever mounted.\u003c\/p\u003e\n\u003cp\u003eThe guiding principle behind everything Collier Campbell produced was stated simply by the sisters themselves: \"The painted mark gives energy and beauty to fabric.\" It is a philosophy visible in every inch of Balcony Stripe.\u003c\/p\u003e\n\u003ch3\u003eBalcony Stripe\u003c\/h3\u003e\n\u003cp\u003eThe stripe was one of Collier Campbell's most characteristic and enduring formats — a vehicle for their extraordinary gift for colour and their insistence that the energy of hand-painting should survive translation into mass production. Balcony Stripe is a wide-repeat composition of vertical bands, each one differentiated not only by colour but by its internal mark-making: wavy lines, elongated dashes, trailing serpentine forms, scattered dots and fine parallel hatching. Terracotta sits against teal, pink against sage, sand against deep blue — the palette warm, Mediterranean, evocative of sun-bleached walls and painted shutters. At 147× 48 cm, the piece fills a wall with colour and movement in the way only the finest printed textiles can.\u003c\/p\u003e\n\u003cp\u003eThis piece has been handcrafted using rare, original vintage fabric, professionally stretched over a newly constructed wooden frame — transforming a collectible furnishing fabric into a gallery-quality textile artwork. The colours remain rich, warm and wonderfully vibrant.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBalcony Stripe\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDesigner\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCollier Campbell — Susan Collier \u0026amp; Sarah Campbell\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProducer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAcademy Fabrics\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSelvedge\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\"Academy Fabrics — Balcony Stripe by Collier Campbell\" (confirmed)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOriginal screen-printed furnishing fabric\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrame\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eProfessionally stretched over new wooden frame\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e147 cm × 48 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eExhibition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePaint! Pattern! Print!, Fashion and Textile Museum, London, 2026\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eV\u0026amp;A holds 33 Collier Campbell works\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1980s British modernist, painted textile art, decorative stripe\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eExcellent vintage condition. Colours remain rich, warm and vibrant. As with all genuine vintage textiles, minor age-related characteristics may be present — entirely consistent with a piece of this age and adding to its authentic character.\u003c\/p\u003e\n\u003cp\u003eYSL. The Duke of Edinburgh's Prize. The Fashion and Textile Museum. And now available for your wall.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eFree tracked delivery across the UK.\u003c\/p\u003e","brand":"RetroTime","offers":[{"title":"Default Title","offer_id":53796105519443,"sku":null,"price":125.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1043\/8488\/9171\/files\/IMG_8183.jpg?v=1779206131"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1043\/8488\/9171\/collections\/vintage-textile-wall-panels-mid-century-modern-retrotime_a38ad54c-6aea-4ac5-adc2-26cca7832ca2.jpg?v=1774891100","url":"https:\/\/retrotime.co.uk\/collections\/wall-panels.oembed","provider":"RetroTime","version":"1.0","type":"link"}